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Review of Eugene Onegin: The stripped-down staging is both captivating and insightful


Ted Huffman, renowned opera director and librettist, is currently making waves in the opera world with his unique and impactful productions. His recent Royal Opera main stage debut with a new staging of Tchaikovsky’s Eugene Onegin has garnered praise for its minimalist design and compelling performances.

In Huffman’s production, the focus remains on the relationships between characters, particularly the bond between the two sisters, Tatyana and Olga. Played vibrantly by Avery Amereau and Kristina Mkhitaryan respectively, their dynamic is vividly portrayed on stage, adding depth to the everything-I-know-about-love story being told.

Huffman’s interpretation of the classic opera goes beyond Tchaikovsky’s original work, offering new perspectives on the characters and their motivations. The changes made, particularly in the duel scene, add a gripping intensity to the production, making it a must-see for opera enthusiasts.

While the absence of a traditional set presents acoustic challenges, the standout performances from Mkhitaryan and Avetisyan, along with the strong cast and orchestra, make up for this limitation. Gordon Bintner’s portrayal of Onegin’s destructive self-importance and memorable cameos from Brindley Sherratt and Rhonda Browne further enhance the production.

Overall, Huffman’s Eugene Onegin at the Royal Opera House showcases his talent for creating impactful and emotionally resonant opera productions. With exceptional performances and innovative interpretations, it is a production not to be missed.

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Photo credit www.theguardian.com

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